5.19.2014

BLOGGING GAME OF THRONES, S4E07: Fall Be Kind

The working title for this post was going to be "Fewer And Fewer Good Men," but I just can't resist an Animal Collective reference (and in that spirit: wait until you read how circular and off-kilter this post is! Sorry, I'm really sick today). It's true, though: good people are harder and harder to find in Westeros these days. They're disappearing from the shelves like there was a fire sale or something! Oh, sorry, The Hound, I meant to say--they're on sale in some other way. Some of them quite literally so; shoutout to Bronn and his swag new gloves. Allegiance to Tyrion might be going out of style, but patent leather never does! Meanwhile Arya's budding nihilism is in full bloom, the Hound is probably going to become a zombie, and Jorah Mormont keeps trying to stop Dany from killing slaveowners! When are you going to stop standing in the way of righteous justice, Jorah?
While we're talking about clothes: shoutout to Dany's Aquaman number right here. GET THAT LOOK!
This episode is mostly table-setting, except for the one big thing, which we will discuss in a minute. Elsewhere, we get to check in on a few of our old favorite boobs. Such as Melisandre's boobs, and a delightful young boob you might remember called HOT PIE! He's back, and he still likes pie! How delightful is Podrick and Brienne's Excellent Adventure, by the way? I hope we get segments that long every week! Which is also what Dany said.
Tyrion goes in search of a champion for his trial by combat and finds one in a rather unexpected place. Ricky Martell is chomping at the bit to get his spear into (but not in that way, this time) Gregor Clegane (re-cast from his memorable equinicide in season 1) and informs Tyrion of his intent to volunteer as tribute.
But whatever happens there is going to happen next week. So is Stannis's long-pending departure from Dragonstone, and so is whatever is going to happen at The Wall, and so is whether or not the Hound will get all Khal Drogo from that gnarly bite on his neck. We're waiting on a lot of answers. Especially: DO YOU GUYS THINK LYSA IS GOING TO BE OK?
So, I just want to invoke the book (sorry) really quick to say that this scene, in which Littlefinger confesses to Lysa that Cat was the only one he ever loved and then shoves her out the moon door, is a hilarious and morbid coda at the end of Book 3, and that is really where this scene belongs. We should have ended this season on that ridiculous note, which honestly warmed my heart after the less spirited killings that came before it. I was a little surprised at how straightforward it was played here, with the ominous music and all of that. Come on! This is a moment of triumph! Am I alone in my joy?

5.13.2014

BLOGGING GAME OF THRONES, S4E06: The Lion's Roar

First of all: True Blood is only just now getting around to callously appropriating Hurricane Katrina? It took them seven years?!
ANYWAY: Hey, this was a good episode, huh? Maybe the best one all season! Interestingly, we got that “strong sexuality” warning again at the top, and yet all sex acts contained therein seemed to be consensual. Honest question: do you think it was because of the, uh, Braavosi waxes on display in the hot tub scene? I know that’s a tricky 21st century censorship concern.
So Stannis and Davos roll into Braavos to visit the savings and loan. They apply for some cash, and speak with real class, so the bankers throw them a gold bone. (You are welcome.) We’ve heard tell about Braavos a lot lately, and here it finally is! It looks like all the other places.
Elsewhere, Yara is still making the same metaphor-free speech she was making at the end of last season. When she finally, prosaically finishes, she leads her men boldly into Ramsay Snow’s castle… only to be driven off by a pack of dogs and dispirited by Theon’s extra-strength Stockholm syndrome. But since circular plotlines run in the Greyjoy family, I’m sure she’ll be back for more next week. I gotta give Ramsay Snow a lot of points, though. He charges into battle shirtless after apparently having KNIFE SEX? Color me impressed. (Also, his lady seemed to be enjoying herself thoroughly—a rare thing on this show!)
Mereenwhile, Dany is having to channel King Solomon for a crowd of petitioners, and she’s VERY ANNOYED. Conquering the fuck out of everyone is a lot more fun than governing the fuck out of them, huh Dany? But at least we got to see her dragon flash fry a bunch of goats! Hahahaha!
The entire second half of the episode consists of the Trial Of Tyrion Lannister, presided over by Lord Tywin, Rickey Martell, and Huckleberry Hound, who are also the latest additions to the Small Council. Martell is the true MVP of the episode, slouching and smiling and horndogging it up all over the screen.
He’s really enjoying himself, especially when it comes time to cross examine the surprise witness for the prosecution (drumroll please): Lisbeth Salander! Oh shit!
Yes, it seems rather than get on a boat and leave town, Tyrion’s lady decided to go all turncoat on him. Wrong move, Lisbeth! Her graphic testimony is what finally triggers the long-suffering Tyrion’s Michael Bluth-like breaking point. But rather than flee to Arizona,* he curses the people of King’s Landing in a chilling speech and demands a trial by combat. Those have worked out pretty well for Tyrion in the past, so this bodes well for him, right?
*True story: as I was typing that sentence, I got a call from Arizona. It was GoDaddy calling to remind me to renew this URL. Freaky, huh? Oh, I should finally go do that.

5.06.2014

BLOGGING GAME OF THRONES, S4E05: Burning Down The House

There are two outrages before this episode even starts. First of all, for the first time all season, there’s no “nudity” in the content warnings at the top of the episode. No nudity? Is this even the same show anymore? Secondly, did everybody else see that trailer for HBO's new drama that aired before the credits? I was on board until I saw the title: “THE LEFTOVERS.” REALLY? That is not a title of a Justin Theroux-starring paranormal thriller. It is the title of a Justin Thereoux comedy about a rag-tag bunch of World War I infantrymen, maybe, but probably not even that! We need to get HBO to change the title of that show before it’s too late (it is already too late)!
Aaaaand RESET. Last week, everybody freaked out about the decision to go “off book”—placing Bran in the hands of the Mutineers and moving Locke magically across space and time to join the Night’s Watch as the Matt Damon to Roose Bolton’s Jack Nicholson—both of which had no basis in the original text. But this week, all of those new moves are undone at once, in a terrific, self-sabotaging setpiece toward the end of the episode. I was so dazzled by Jon’s fire-lit sword-fighting and BRANHODOR’s brutal killing of Locke that it took me a few minutes before I went “Hey….what the--!?” Because what was the point of all of that, in the end? I’m OK with the idea that these new plots were just stalling for time—but if they were, why not stall a little longer? Why not stall in a way that’s a little more interesting? When Bran watches Jon Snow fight from a distance and then agrees with Jojen Reed that he cannot approach his long-lost brother (from a mystery mother), it’s almost a word-for-word rehash of a scene we got last year, when Jon broke from the Wildlings as Bran watched from a tower. But like an egotistical politician awaiting a recently commissioned bust in his own image, I’m getting ahead of myself. That is probably too clunky a joke. Screw it, I'm leaving it in!
At the top of the episode, Tommen is officially crowned and Cersei changes her game up, going on a charm offensive all across King’s Landing. “When vinegar has done nothing but lay your dead children at your feet, try some honey!” is the Lannister’s second motto, after all. She unexpectedly decides to advocate for marriage between Tommen and Marge (third time’s the charm, Marge!) and even opens up to the Prince of Dorne (not in that way, though, gross).
Meanwhile, in Mereen (Mereenwhile), Dany learns that the cities she has previously liberated have fallen back into the hands of the slaveowners. When folks were complaining about Dany The Great White Savior last year, this is what the rest of us were tempering your outrage with. Emancipation is hard! Dany thought she could just march around making sex eyes and killing overseers, but that only takes you so far. If you really want to make a difference, you’ve got to lean in. And so Dany decides to do just that, putting off an invasion of King’s Landing even though Tommen is ever so ripe for the roasting. Damn it! So close to Queen Dany. We’ll have to wait (probably forever).
In the Vale, Crazy Lysa Tiger Mom is as crazy as she’s ever been. She rushes her wedding ceremony to Littlefinger so she can get at his little finger, and then she jealously accuses Sansa of sampling her package while it was still on the delivery route. Sansa, frustrated that yet another plot point hinges on the existence of her hymen, pleads innocence and ignorance. And then a new weird penis is dangling over her head, as Lysa reveals her plans to wed Sansa to Baby Buster Arryn, who continues to look like an amalgamation of all the bad DNA purged from the members of One Direction in Simon Cowell’s Nazi Laboratory.
The most important moment occurs when Lysa mentions that she killed her husband, Jon Arryn, on Littlefinger’s orders. WHOA. That means almost all of the action in this entire series, including Ned and Cat’s suspicion of the Lannisters which started the ENTIRE WAR, was driven by Littlefinger. Some serious puppetmaster shit, right there. It quite literally changes everything. I hope Lysa’s sex screams didn’t distract you too much to really let that sink in.
And then there is the aforementioned Battle of Craster’s Keep, where Jon Snow finally kills Young Willem Dafoe (did you know that actor’s name is literally BURN GORMAN? Try to come up with a better name for that guy. SKULL GNAWSON, maybe) in a battle that is oddly reminiscent of George Clooney’s  Fantastic Mr. Fox versus Actual Willem Dafoe’s evil (literal) rat. I mean, this version ends a little more graphically, but thematically and knivically it’s pretty much the same deal.